I got my start when I attended college at the University of
Arkansas, and a humble start it was. Armed with a small Radio
Shack mixer and home stereo equipment, I began playing Greek
functions and hall parties in 1987. After graduating with a Marketing
degree in 1991, I accepted a sales position with a major poultry
company in Salisbury, Maryland. There I teamed up with another
young DJ and began playing gigs up and down the east coast.
During the summer months, the majority of these shows were
at clubs and pubs between Rehoboth Beach, Delaware and Ocean
City, Maryland. The rest of the months were spent playing
smaller private functions like wedding receptions, corporate
parties and school dances. These shows included mostly music
and offered very few lights and/or special effects. I credit
much of my success today to my early experiences playing at
the clubs and pubs at the beach. The crowds in these venues
were as diverse as can be imagined. One night might be a large
tourist group consisting of people aged 30 to 60 and the next
night might be all college kids. Not only was I required to
have a large library consisting of music from many eras, but
I was also required to deal first hand with all types of patrons.
In January, 1996, I again moved. This time I headed back to
my college town of Fayetteville, Arkansas. There I built
another sound system and continued to perfect my craft playing
receptions and school dances. In 1997, I added lighting and
special effects and greatly expanded my scope of possibilities.
In 1998, I made my last, short move back to my hometown area
of Fort Smith. By this time, I had compiled one of the largest
special effects packages in the region. My impact on the area
was immediate. Not only did I continue to play private functions,
but I also began making cameo appearances at places like Beethoven's
(Holiday Inn), 5th Seasons, Silks, and the Friday Night Dance
Show on MIX96, just to name a few. Although I have become
quite a fixture in the Fort Smith area, I never lost my love
for the people in the Fayetteville area. With the opening
of the new road, I play about as many shows up in northwest
Arkansas as I do in my hometown of Fort Smith.
I am a consummate professional who loves what I do and am
always striving for perfection. While Music in Motion is definitely
a business, I purposely restrict my number of annual performances
to an average between 50 and 60. This keeps me fresh and always
anxiously anticipating my upcoming performances. I have an
ever-growing music library that in March of 2000 was an astounding
1521 CDs. While I do miss some of the trickery and creativity
possible with vinyl, I definitely don't miss the extra weight.
With today's technology, there are other ways to achieve similar
results. In 1998, I added the Denon Digi-Scratch Mixer. This
allows me to take a main stream dance song like "Men
in Black," "Mumbo #5," "Push It,"
etc., and create a new sound. The over all song, tempo, and
lyrics remain the same, but the bass line and feel of the
song is improved. My Dance crowds love it! So, be it an on
the spot remix, a medley created in my home studio and burned
on CD, or one of the old traditional favorites like "YMCA,"
I always bring a full bag of tricks to spice up and personalize
your special event and make it unforgettable.
In the November edition of Mobile Beat Magazine, an international
publication devoted to DJs and Entertainers, I was given the
distinction of Odessy Case All-Star. This honor is given to
a select (usually 12 to 15) number of entertainers annually
who the magazine feels are at the top of their game. Mobile
Beat considers the entertainers' abilities, equipment, and
overall customer satisfaction.